I could take solace in that. When did gender become the one thing that we're not suppose to change?
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Back Today. When Should You Share a Secret? Pamela Madsen Shameless Woman. The Power of Seduction True seduction is the opposite of sex.
The seductions of temporary urbanism
Learn to consciously slow things down! Submitted by Anonymous on July 7, - am.
Inspiring - thank you! Response Submitted by Anonymous on July 7, - pm. Seduction Submitted by Lou dot com on January 4, - pm. People who 'consciously' slow Submitted by Anonymous on July 8, - am. Submitted by Chimpy on July 9, - pm. An unvarying diet of "No", no matter what, when, where or how it is, gets very old very quickly. If No is supposed to be Submitted by No-means-no on August 30, - pm.
Hey would you consider this Submitted by Jimmy C on March 27, - pm. Hey would you consider this seduction? Savor the first time, but know that it will get better. Not can, will. What happens when no never turns to yes Submitted by Stu on September 17, - am. Post Comment Your name. E-mail The content of this field is kept private and will not be shown publicly.
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Notify me when new comments are posted. All comments. Replies to my comment. Leave this field blank. More Posts. Demystifying the Transgender Movement When did gender become the one thing that we're not suppose to change? Continue Reading. Most Popular. Three Steps to Identifying a Borderline Personality.
The Power of First Love Early romantic experiences leave a lasting imprint on who we are—and who we fall for. First Heartbreaks. Reuniting With a First Love. Adolescent Love. More Like This. How can we represent seduction with musical means? Are there any particular musical forms which allow such a representation? In addition to the study of musical cases, we encourage the contributors to propose analyses being based on the reception of such types of works. Are there compositions whose purpose is to seduce?
Some types of music are manipulated to serve commercial interests, others are specifically produced to induce a particular behaviour, others are re-appropriated from a musical advertising into a musical production context. Music of mechanics, ceremonial music and even propaganda music should also be analysed in the light of seduction. Case studies should allow us to know better these kinds of music which make people like such brand or institution. Is simplicity a permanent feature of these productions?
How is it possible to evaluate the impact of this type of music on the listeners? From the Sirens of The Odyssey to the tale of the Pied Piper of Hamelin, there are many literary examples where vocal or instrumental seduction is presented as one of the most evil attributes of sound and music. We would like contributors to analyse examples of this representation of music and to show its evolution in time and in different cultural areas.
Creating a False Sense of Security, Approach Indirectly Once you have chosen the right victim, you must get his or her attention and stir desire. To move from friendship to love can win success without calling attention to itself as a maneuver. First, your friendly conversations with your targets will bring you valuable information about their characters, their tastes, their weaknesses, the childhood yearnings that govern their adult behavior.
Second, by spending time with your targets you can make them comfortable with you.
Then, surprise their expectations with an errant touch or suggestion, make them now interested. There is nothing more effective in seduction than making the seduced think that they are the ones doing the seducing. The first move to master is simple: once you have chosen the right person, you must make the target come to you. Too much attention early on will actually just suggest insecurity, and raise doubts as to your motives. Worst of all, it gives your targets no room for imagination. Take a step back; let the thoughts you are provoking come to them as if they were their own.
In all arenas of life, you should never give the impression that you are angling for something— that will raise a resistance that you will never lower. Learn to approach people from the side. Send Mixed Signals What is obvious and striking may attract their attention at first, but that attention is often short-lived; in the long run, ambiguity is much more potent. Most of us are much too obvious —instead, be hard to figure out.
To deepen their interest, you must hint at a complexity that cannot be grasped in a week or two. If you have a sweet face and an innocent air, let out hints of something dark, even vaguely cruel in your character. Why is he alone, why is he avoided? There has to be a reason. According to Stendhal, if there is a woman you are interested in, pay attention to her sister. That will stir a triangular desire.
Men who believe that a rakish reputation will make women fear or distrust them, and should be played down, are quite wrong. On the contrary, it makes them more attractive. Create a need, stir anxiety and discontent People are always susceptible to being seduced, because in fact everyone lacks a sense of completeness, feels something missing deep inside.
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Bring their doubts and anxieties to the surface and they can be led and lured to follow you. Make people anxious about the future, make them depressed, make them question their identity, make them sense the boredom that gnaws at their life. The ground is prepared. The seeds of seduction can be sown. Make everything suggestive. Enter Their Spirit Play by their rules, enjoy what they enjoy, adapt yourself to their moods. In doing so you will stroke their deep-rooted narcissism and lower their defenses.
Create Temptation As the serpent tempted Eve with the promise of forbidden knowledge, you must awaken a desire in your targets that they cannot control. Find that weakness of theirs, that fantasy that has yet to be realized, and hint that you can lead them toward it. Find that childhood insecurity, that lack in their life, and you hold the key to tempting them. Their weakness may be greed, vanity, boredom, some deeply repressed desire, a hunger for forbidden fruit. They signal it in little details that elude their conscious control: their style of clothing, an offhand comment.
Behave in a way that leaves them wondering, What are you up to? Doing something they do not expect from you will give them a delightful sense of spontaneity— they will not be able to foresee what comes next. There are all kinds of calculated surprises you can spring on your victims— sending a letter from out of the blue, showing up unexpectedly, taking them to a place they have never been. But best of all are surprises that reveal something new about your character. Reliability is fine for drawing people in, but stay reliable and you stay a bore.
Dogs are reliable, a seducer is not. A woman was beautiful, yet lacked confidence in her own wit and intelligence? He made sure to say that he was bewitched not by her beauty but by her mind. Pay Attention to Detail Poeticize Your Presence You can be dangerous, naughty, even somewhat vulgar, depending on the tastes of your victim.
But never be ordinary or limited. In poetry as opposed to reality , anything is possible. The only thing that cannot be idealized is mediocrity, but there is nothing seductive about mediocrity. There is no possible way to seduce without creating some kind of fantasy and poeticization. Disarm Through Strategic Weakness and Vulnerability The best way to cover your tracks is to make the other person feel superior and stronger.
If you seem to be weak, vulnerable, enthralled by the other person, and unable to control yourself, you will make your actions look more natural, less calculated. Remember: what is natural to your character is inherently seductive. Isolate the Victim Separate them from their environment physically, emotionally, and mentally, so they can become further engrossed with you. Cleverly lead your victim into a crisis, a moment of danger, or indirectly put them in an uncomfortable position, and you can play the rescuer, the gallant knight. Effect a Regression Stir Up the Transgressive and Taboo Making your targets feel that you are leading them past either kind of limit is immensely seductive.
People yearn to explore their dark side. But we are strange animals: the moment any kind of limit is imposed, physically or psychologically, we are instantly curious. A part of us wants to go beyond that limit, to explore what is forbidden. The most blatant way to do this is to engage in behavior that gives you a dark and forbidden aura.
Theoretically you are someone to avoid; in fact you are too seductive to resist. Use Spiritual Lures Everyone has doubts and insecurities —about their body, their self-worth, their sexuality. If your seduction appeals exclusively to the physical, you will stir up these doubts and make your targets self-conscious. Instead, lure them out of their insecurities by making them focus on something sublime and spiritual: a religious experience, a lofty work of art, the occult.
Mix Pleasure with Pain Lure them in with focused attention, then change direction, appearing suddenly uninterested. Make them feel guilty and insecure. Even instigate a breakup, subjecting them to an emptiness and pain that will give you room to maneuver Your seduction should never follow a simple course upward toward pleasure and harmony. The climax will come too soon, and the pleasure will be weak.