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Cronise and Wingo knew each other from Virginia, playing together in a band called Ultimate Dragons.

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Shutt and Richie, meanwhile, were veterans of Texas bands united by a love of Zeppelin. Over the course of their initial live forays, the foursome fine-tuned the songs that eventually made up Winters , revising them ever so slightly over periods of time. After a spring tour with Trail of Dead and the Octopus Project, they got to work in earnest, and by summer were circulating a three-song demo as their rough draft. In October of last year, the band began recording the album at Folkvang, Richie's home studio.

I don't have thousand-dollar equipment. They recently finished filming a video for "Winter's Wolves" in Staten Island. While the band won't divulge the fantastical plot in store, they confirm that the sun-up-to-sundown shoot was cold, "grueling, and brutal. Richie takes it a step further: "Odin was on our side. While Robert Plant preached of Valhalla bound to Greek and Celtic folk and Sabbath moaned of the apocalypse and "atomic rage," the Sword's vision falls somewhere in between, even quoting William Butler Yeats in the liner notes.

Razor-sharp prose like "Twilight written in the runes of crones" and the barked alliteration of "Harken to the howl of the huntsman's hounds" fill the purist's notion of the metal tradition. The Sword's just reshaping the mold. There are similar references and imagery found in various songs.

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It's not a concept album, but it's definitely meant to have a cohesive feel. I like music to provide a little more than just auditory stimulation. We still want it to be visceral, but not in an overly macho, testosterone-fueled way. Over the last year, packed shows at Emo's and Room have made the battle scars of Cronise's lyrics seem real.


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It's an assault slow and calculated, sweat mixed with black, charred riffs creating a narcotic spell, amps piled high like weapons. Divide and conquer, then an ascent unto the right hand of some faceless god holding a giant bong of truth. Perhaps Yeats was the first metalhead: "And while we're in our laughing, weeping fit, hurl helmets, crowns, and swords into the pit.

Winter's Wolves

Now more than ever, we need your support to continue supplying Austin with independent, free press. Support the Chronicle. Acts as spectrally diverse as Mastodon and Coheed and Cambria have taken up that imagery, transforming it into a literary endeavor. Age of Winters descends on Valentine's Day and the buzz has already infected the blood of innocents. The album's guttural guitars and Cronise's overlord vocals carry the story of gory battles and horned goddesses over a seismic rhythm section.

The titular imagery is also there, of course; the Sword's handle bows to metal's warfare-obsessed history. On the quartet's Web site is an essay on swordsmanship; press photos picture the band wielding the weapon.

album: "Age Of Winters" (2006)

The riffage is also there, just as sharp. The blade goes deep. Their sound isn't deafening, however, and when labels came calling, the band didn't jump on the first offer. They did so because it was "a sweet deal," reveals Richie. Not bad for an act forged just two years ago.

Cronise and Wingo knew each other from Virginia, playing together in a band called Ultimate Dragons. Shutt and Richie, meanwhile, were veterans of Texas bands united by a love of Zeppelin. Over the course of their initial live forays, the foursome fine-tuned the songs that eventually made up Winters , revising them ever so slightly over periods of time.

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After a spring tour with Trail of Dead and the Octopus Project, they got to work in earnest, and by summer were circulating a three-song demo as their rough draft. In October of last year, the band began recording the album at Folkvang, Richie's home studio.

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I don't have thousand-dollar equipment. They recently finished filming a video for "Winter's Wolves" in Staten Island. While the band won't divulge the fantastical plot in store, they confirm that the sun-up-to-sundown shoot was cold, "grueling, and brutal. Richie takes it a step further: "Odin was on our side. While Robert Plant preached of Valhalla bound to Greek and Celtic folk and Sabbath moaned of the apocalypse and "atomic rage," the Sword's vision falls somewhere in between, even quoting William Butler Yeats in the liner notes.

Razor-sharp prose like "Twilight written in the runes of crones" and the barked alliteration of "Harken to the howl of the huntsman's hounds" fill the purist's notion of the metal tradition. The Sword's just reshaping the mold.